Call for Exhibition
Information+ 2027 invites artists, designers, researchers, practitioners, and contributors from diverse backgrounds to submit works for an exhibition at Politecnico di Milano during the conference week. We welcome a wide range of perspectives, approaches, and topics, particularly from those who are traditionally underrepresented in data visualization and related fields.
Theme
What does “better” mean to you? Who decides it and for whom?
The exhibition proposes a thematic lens around the concept of “better”: better futures, better societies, better communities. We invite contributors to engage critically with what “better” means, and who gets to decide.
“Better is not a universal good or a verified measure; it is imbued with politics and values.” (Alexandra Daisy Ginsberg)
Better is not neutral. It is defined by particular actors, with particular interests, and it is not delivered equally. This can take the form of grand technological promises, such as Artificial Intelligence or space travel, and their hidden costs. Or it can be closer to home: a health dataset built mostly on male bodies, an algorithm that reproduces racist or homophobic bias.
This thematic lens is a suggestion, not a requirement. We equally consider and welcome contributions that do not directly relate to the theme but are relevant to the conference’s broader context.
Other examples of practices and applications we are looking for are:
- Communication of science
- Data journalism and storytelling
- Design studies and visual explorations
- Digital humanities
- Automated (AI) visualizations
- Materiality of visualizations (i.e. physicalizations or performances)
- Graphic systems for data representation
- Metaphoric portrayals of data
- Data-embedded architecture, situated or environmental data
- Data circularity
Formats
2D artworks
Printed or painted artworks and videos. In case of videos please indicate duration and audio requirements in your submission proposal.
Examples:
- Printed artwork: “A” filter by Carolina Jacomin Da Silva; Calculating Empires Map Room in “Calculating Empires: A Genealogy of Technology and Power, 1500-2025”, Fondazione Prada; Glove Rose by Jeremy Wanner
- Video: Dada da ta by Jake Elwes; Machine Equities by Phoebe Law
Digital artworks
Interactive digital applications that may make use of materials made available by the exhibition organisers: screens, projectors, and computers. Sonifications are also welcomed!
Examples:
- Website or digital application: Mapping Diversity by Matteo Maria Moretti; Visualizing the International Trade of Worn Textiles by Chloe Prock
- Sensor-based interactive artwork: The Luminous Matter by Francesca Perpetuini
- Interactive game: J’adore Venise by Stefano DeAlessandri
- Sonification: Two Trains by Brian Foo; Urban Data Orchestra by Elina Oikonomaki & Lukas Lesina Debiasi
3D artworks
Physical objects such as a 3D printed item, a sculpture (data physicalisation), an electronic artifact, a book, and counting. They can be positioned on tables, exhibitors, or shelves or vertically hanged, and they may or may not have interactive capabilities.
Examples:
- Printed book: General Journal of Network Requests by Andrea Benedetto
- Physical visualisation/data physicalisation: Weeping Bergs by Ginevra Terenghi; Emoto by Studio NAND and Moritz Stefaner + Drew Hemment; Linger Loiter by Charlotte Gartenberg & Ivan Himanen
- Sound installation: Waste Rhythms by HaoChe Hung & Tianxing (Vincent) Zhu; Echobjects by Philippe Kocher and Daniel Bisig;
- Multimaterial installation: Curbside by Karly Ross; The hidden impacts we consume by Carla Fernandez Arce; The Library of Missed Datasets v2.0 by Mimi Ọnụọha; Poltroncina by Andrea Burchiani
- Interactive object: Transferscope by Christopher Pietsch
Performances
We aim to invite 1 to 3 performances to be performed during the opening of the conference/exhibition, on the main stage of the conference room. The length of each performance should be within 10 minutes.
Examples:
- Live coding: Rage Against the Archive
- Bodily choreography: The Data Twist by Lins Derry; XTN?O by Olivia Funes Lastra
Exhibition set-up
The authors of selected works will discuss with the conference organizers about the details for showcasing their pieces in the exhibition.
Funds and costs
Depending on the available budget, scale and complexity of the exhibition installation, and the travel distance of presenters, the chairs will lower conference registration fees for exhibiting artists. However, any expenses related to shipping, installation, and artwork production are considered to be covered by artists. Further information will be available at the end of the selection process.
What to Submit?
The proposal should be submitted as a two-page PDF and include:
- Title of the work
- Year
- Medium and format (one of the formats above, or the closest match)
- Dimensions, or duration for videos, performances, and sonifications
- Description of the work, including:
- the theme of the work
- its relationship with information visualization
- its coherence with the exhibition theme, if applicable
- how it would be integrated into the exhibition space
- how it would be integrated into the conference website
- Technical requirements
- A diagram of the artwork installed in an exhibition space
Additional materials (such as links to web pages, images, videos, or audio files) are welcome to help reviewers evaluate the submission. All materials, including additional ones, will go through a single-blind review.
Full proposals will be reviewed by the Exhibition Chairs to identify potential desk rejects. Then proposals enter a single-blind review process in consultation with the conference’s organizing committee.
Submission instructions
- Open the page: https://submissions.infoplus.team/event/11/abstracts/
- Use the button Submit New Abstract to open the submission form
- Fill the form with your contribution details:
- Upload your two-page PDF in the attachment field;
- Upload any additional material in the attachment field;
- Please write a brief description of your artwork in the summary field;
- Add 3 to 5 keywords to describe your artwork;
- Select the closest match from the available artwork formats.
- To add co-authors, search existing Indico usernames or add manually.
Important Dates
Call for artworks opens: October 16, 2026
Artwork submission deadline: November 22, 2026 — 23:59 AoE (Anywhere on Earth)
Notification of acceptance (only exhibition): February 8-12, 2027
Confirmation of participation: February 15, 2027 — 23:59 AoE (Anywhere on Earth)
Contacts
Exhibition Chairs
Tommaso ElliUniversität Bern
Giorgia BurzioPolitecnico di Milano